Mon, 14 November 2016
Matt Slocum’s Black Elk’s Dream was one of the best jazz CDs of 2014. Backed by musicians like Dayna Stephens, Gerald Clayton and Water Smith III, drummer Slocum presented a concept album inspired by the visionary Native American leader Black Elk and the book Black Elk Speaks. The music, whether original or deftly chosen covers, was orchestral in its feel, and packed a punch, either through mixed meters, interesting harmonies or the dynamic solos of the saxophones.
With Trio Pacific, Volume 1, Slocum now moves to a stripped down sound, and manages to stand the historical concept of the jazz trio on its head by performing as a drummer, sax (Stephens again) and guitar (Steve Cardenas) threesome. The result is shimmering, subtle and often beautiful music, and proof the Slocum is well on his way to being one of our finest leaders.
Born in St. Paul, Minnesota and raised in western Wisconsin, Slocum began musical studies on piano before switching to percussion at age 11. While in high school he was introduced to jazz through recordings featuring Max Roach and Philly Joe Jones. He received a full scholarship to attend the University of Southern California where he studied with the great Peter Erskine. Moving to New York a few years later, Slocum has performed and recorded as a leader on four CDs, while serving s sideman for the likes of Seamus Blake, Alan Broadbent, Wynton Marsalis, Linda Oh, Anthony Wilson, Sam Yahel and the Dallas Symphony Orchestra.
Podcast 552 is my conversation with Matt, as we talk about the way Trio Pacific came together, how the lack of preparation led to exciting discoveries in the studio, and what he learned from his time with Peter Erskine. Musical selections from Trio Pacific, Volume 1 include “Passaic”, “I Can’t Believe You’re in Love With Me” and “For Alin”, a song dedicated to his wife.
Sun, 13 November 2016
Scott Morgan has been around the New York jazz scene for more than a decade, but Songs of Life is his debut CD as a leader. After a few listens, the obvious question is:
Man, what took you so long?
Morgan has a warm, engaging tenor, and his phrasing rivets the listener to the lyrics he is singing, creating a wonderful intimacy. His band – pianist Fred Hersch, bassist Matt Aronoff, tenor saxman Joel Frahm, and drummer Ross Pederson – plays in a sensitive, yet solid, manner, allowing his to ring every drop of emotion he wants from the album’s13 well-chosen tunes.
Morgan treats songs from the Pop/Rock era with the same respect as those from Broadway, finding new ways to interpret songs by James Taylor and the Beatles that let them stand up with the Great American Songbook. His lyrics to Hersch’s “Mandevilla” allow the Brazilian flavor of the song to seep through with sensitivity and soul. His duet with Janis Siegel, “I’ll Follow” is an emotional highlight.
Podcast 551 is my conversation with Scott, as we discuss the CD, how he selects his material, and what songs he thought might work on Songs of Life, but ended up dropping. His story of how “Wouldn’t It Be Loverly” came to be melded with the late Dave Catney's "Little Prayer" in a memorable performance is both heartbreaking and heartwarming at the same time. Musical selections from Songs of Life include that medley, Kurt Weill’s “Lost in the Stars”, “I’ll Follow”, and Lennon and McCartney’s “I Will.”
Scott Morgan will play two matinee sets at the Blue Note in New York on November 20th, 2016 at 11:30 am and 1:30 pm.
Direct download: Podcast_551_-_A_Conversation_with_Scott_Morgan.mp3
Category:podcast -- posted at: 5:37pm EST