Wed, 17 August 2016
Bobby Hutcherson, a vibraphonist whose adventurous, harmonically challenging playing in the 1960s made him one of the most influential jazz musicians on his instrument, died Aug. 15 at his home in Montara, California at the age of 75. The cause was emphysema.
Bobby Hutcherson – Title Track from Medina
Grant Green – “Django” from Idle Moments
Bobby Hutcherson – “Blues Mind Matter” from Stick-Up!
Jackie McLean – “Blue Rondo” from One Step Beyond
Eric Dolphy – “Something Sweet, Something Tender” from Out to Lunch!
Harold Land – “Timetable” from The Peace-Maker
Andrew Hill – “Alfred” from Judgment!
Bobby Hutcherson – “’For Heaven's Sake" from Enjoy the View
Tue, 16 August 2016
It's summer in New England, so why not some summer themed music for these lazy, hot days? Today is August 16th, the feast day of Saint Roch, the patron saint of Dogs, so why not celebrate the "Dog Days"?
The Romans referred to the dog days as diēs caniculārēs and associated the hot weather with the star Sirius. They considered Sirius to be the "Dog Star" because it is the brightest star in the constellation Canis Major (Large Dog), as well as the brightest star in the night sky. The term "Dog Days" was used earlier by the Greeks in Aristotle's Physics.
The Dog Days originally were the days when Sirius rose just before or at the same time as sunrise, which is no longer true, owing to procession of the equinoxes. The Romans sacrificed a brown dog (Sorry Angus and Hamish, my two miniature dachshunds!) at the beginning of the Dog Days to appease the rage of Sirius, believing that the star was the cause of the hot, sultry weather.
I've done four previous Dog Day postings, Podcast 292, Podcast 225, Podcast 442, and Podcast 492 if you'd like some more summer-themed music. There's a few repeats between these posts, but what the hey. It’s all grooving or relaxing music for soaking in those wonderful warming rays. Winter is just around the corner, and I am gonna grab all the warmth I can. Look for me on my deck with Angus and Hamish - and Nancy - and a cold beverage or two. I’ve been learning a bit of mixology, so I think Frozen Whiskey Smash is the drink of the day.
Podcast 546 features the following uninterrupted hour of music, featuring a few new tunes I've recently received from upcoming or imminent releases:
Rebecca Angel – “Jet Samba”
Paul Desmond – “Wave”
The 3 Cohens – “Beaches”
Holly Cole – “Too Darn Hot”
Lou Donaldson – “Hot Dog”
Kenny Garrett – “Backyard Groove”
Stanley Clarke – “Hot Fun”
The Rippingtons – “Flamingo Beach”
Pieces of a Dream – “Warm Weather”
Kenny Burrell – “Hot Bossa”
Jeff Golub – “On the Beach”
Project Grand Slam – “The Rescue”
Mon, 15 August 2016
Originally from Rio de Janeiro, Brazil, Sergio Pereira starting playing acoustic guitar (violao) at the age of 8 years old, influenced by his older brother who helped him play his first chords and the bossa-nova giants at the time - Joao Gilberto, Tom Jobim, and, Marcus Valle. Growing up in Rio in the 60’s and 70’s contributed tremendously to the energy, groove and rhythms reflected in his music today.
Moving to New York in the 80’s, exposed Pereira to an entirely different “scene.” It motivated the guitarist to not only continuing playing the guitar, but to further enhance his knowledge of the music and the instrument itself, which led him to studying with jazz greats including Chuck Wayne, Sal Salvador and Alex Adrian. Beginning in the early 90’s he has been travelling the world extensively, playing with different groups and at countless venues in many different countries in Europe, Africa and beyond. For over 20 years Pereira has been a member of the United Nations Jazz band for which has afforded him the opportunity to perform in various high profile venues.
Recently, he returned to his Brazilian roots, working to further broadened his understanding of harmony, improvisation and technique.This has led to the release of his first CD as a leader, Swingando. Recorded in New York City and Brazil, the album includes some of the top musicians in Brazilian jazz today, a veritable who’s who of heavyweights, such as Helio Alves, Teixeira, Nilson Matta, Mauricio Zottarelli, Duduka da Fonseca and Itaiguara Brandao.
Podcast 545 is my conversation with Sergio, who spoke with me while setting up his new home in Valencia, Spain, Musical selections include “My Girls” and Chega Ai", both of which features the killer rhythm section of Alves, Matta and da Fonseca; and the the more intimate “Ela.”
Direct download: Podcast_545_-_A_Conversation_with_Sergio_Pereira.mp3
Category:podcast -- posted at: 8:35pm EDT
Wed, 10 August 2016
With the whole world’s eyes trained on Rio for the Summer Olympics, it should come as no surprise to readers of that I’m thinking about Brazilian music. Here in America we think primarily of Bossa Nova and Samba, but I also enjoy more esoteric genres like Choro, Forro, and Tropicalissmo. The release last month of two new CDs from Brazilian artists that were not previously on my radar was cause for celebration here at SNC, and the next two podcasts will feature my conversations with saxophonist Livio Almeida and guitarist Sergio Pereira.
Livio Almeida is Brazilian saxophone/woodwinds player and composer/arranger. He received his Bachelor in Classical Saxophone in Brasilia, Brazil, and received his second degree at The City College of New York with a BFA in Jazz Performance. You may have heard him in his role in the O’Farrill Brothers Band, or for his solos on recent releases by Arturo O’Farrill and the Afro Latin Jazz Orchestra. He also directs a 10 piece band, the only one of its kind in the USA, a “dectet" dedicated to perform large ensemble Brazilian music, with regular residencies at the traditional Zinc Bar and Iridium Jazz Club in New York.
Action & Reaction is his second CD as a bandleader, and features his working quartet of Vitor Gonçalves on piano, Eduardo Belo on bass, and Zack O’Farrill on drums. Adam O’Farrill drops in to lend a hand on trumpet as well.
Podcast 544 is my conversation with Livio, as we discuss the differences in “Latin Jazz” and “Brazilian Jazz”, what went into his latest CD, and where he plans to take his music next. Musical selections include “Mercado en Domingo" from Arturo O’Farrill and the Afro Latin Jazz Orchestra’s Grammy winning The Offense of the Drum, as well as “Living in the Dark”, “Those (Not So Infant) Eyes”, and the title track “Action & Reaction.”
Direct download: Podcast_544_-_A_Conversation_with_Livio_Almeida.mp3
Category:podcast -- posted at: 12:55pm EDT
Wed, 3 August 2016
At the turn of the millennium, saxophonist Chico Freeman left the US for Europe, and embarked on a multi-year journey of exploration, both of music and his soul. He traveled across the continent and to Africa, playing music with different types of musicians, and in different genres.
Quite frankly, he was missed. He hasn't been to the US in quite a while to play,and a player, performer and composer of his stature is not someone we can lose lightly. The son of the great Von Freeman, he was mentored by his Dad and the likes of George Lewis and the members of the Association for the Advancement of Creative Musicians. From there he has tackled almost any musical style he wanted - playing the blues; funking it up as a member of Earth, Wind & Fire's horn section; and leading his own groups through dozens of memorable sessions.
Now he's back. In May he released a fine new CD, Spoken Into Existence, with a 4-tet of mostly European musicians. It finds Chico in a gentle, lyrical mood, as he performs five compositions in honor of each of his daughters, among other originals.
He wowed them with his Plus-Tet at Dizzy's Coca-Cola earlier this Spring, and now he's on a rare West Coast swing. If you are a left coast jazz fan, don't miss him.
Podcast 543 is our conversation, and it's a memorable one. He talks about the new CD, his approach to writing, and tells a few great stories about growing up in a household always full of music. Musical selections from Spoken Into Existence include "Nia's Quest", Stanley Turrentine's blues "Soft Pedal Blues" and "India Blue".
Direct download: Podcast_543_-_A_Conversation_with_Chico_Freeman.mp3
Category:podcast -- posted at: 7:11pm EDT
Mon, 1 August 2016
Dead & Company have been playing stadium shows this summer, but clearly, something is missing from their presentation of the music of the Grateful Dead. Let's pause for a moment and remember that today would have been Jerry Garcia’s 74th birthday, and like so many other fans, I'll spend a few moments contemplating his music. Maybe a few "Scarlet Begonia/Fire on the Mountain" and "Dark Star" tracks are in the cards. How about a "Ripple" as well?
Named after composer Jerome Kern, Garcia was a student of American music, whether it was bluegrass, show tunes or the blues. Jerry had a love of jazz, and while the Dead themselves did not dip into the jazz canon all that often, Jerry’s side projects gave him a chance to show his jazz chops. Click here to listen to a recording of Milt Jackson’s “Bag’s Groove” from the 1998 release So What from Garcia and mandolin player David Grisman. Other members of the band were Joe Craven on percussion, Matt Eakle on flute and Jim Kerwin on bass.
The latest edition of the GarciaLive project was released last month, and featured Jerry Garcia & Merl Saunders live at the Lion's Share on July 5, 1973. Filled with the typical wide variety of tunes (Motown, Country-Rock, Fifties R&B) it also features a fascinating version of "My Funny Valentine", showing that Garcia could reach into the Great AMerican Songbook as well. Check it out here,
Category:general -- posted at: 6:25am EDT
Wed, 27 July 2016
The Newport Jazz Festival continues to reinvent itself from year to year, and attendees at the Festival at Fort Adams State Park Friday, July 29 to Sunday July31 will get a chance to see and hear music from a veritable plethora of musical genres. It’s truly rare, in these days when “Jazz Festivals” are often “jazz” in name only, to be able to celebrate the latest groundbreaking acts and the most venerable classic groups in the same 72 hours.
Last year saw promoters George Wein and Danny Melnick expanded the Festival to include a Friday slate of up and coming or avant-garde leaning musicians, ensuring the Festival will remain relevant. In addition, the intimate Storyville allowed solo piano and other instruments for those seeking refuge from larger stages across the compound. As you’ll hear in my conversation with Danny Melnick, acts that allow even the hardest core jazzbo to find something new and exciting are all over the three-day schedule.
Friday features New Orleans funk stars Galactic; today’s “It” musician, Kamasi Washington; and acts often missing from festival bills, like Kneebody, Eric Revis, Sullivan Fortner, Steve Coleman and the Five Elements, and Kris Davis. One of my favorites, Tierney Sutton, brings her After Blue Joni Mitchell Project to Newport as well.
Saturday has some of the biggest names of the Festival - Gregory Porter; Chick Corea’s Trilogy with Christian McBride and Brian Blade; Anglique Kidjo; and a highly anticipated performance of Ornette Coleman’s Science Fiction by the Bad Plus. Crowd pleasers like the John Scofield/Joe Lovano Quartet; Monty Alexander Harlem-Kingston Express; and the Butler, Bernstein & The Hot 9 project are set for the stages, as are the latest projects from veterans Stefon Harris and Dave Liebman. And don’t miss the Festival debut of The Hot Sardines!
Sunday wraps things up in style, with headliners like the Charles Lloyd New Quartet with Jason Moran, Reuben Rogers and Eric Harland; last year’s sensation Jose James, crossover star Robert Glasper and his Experiment; Christian Scott aTunde Adjuah’s Stretch Music and a return set from Kamasi Washington. Several of our finest musicians are here with their latest groups: Potter, Holland, Loueke and Harland; Anat Cohen's Clarinet Re-Imagined; the Kenny Barron Trio and bassist Ben Williams & Sound Effect with Gilad Hekselman and Christian Sands. For those who follow this blog, the appearance by west coast brass musicians The Westerlies will be a must-hear.
Danny Melnick takes you through the festival with hints on who to see and why he booked them in Podcast 542. Musical selections from acts you’ll catch at the Festival include:
“Qb4r“ – Eric Revis
“Final Thought“ – Kamasi Washington
“Hey Laura” – Gregory Porter (a live version from a BB2 recording earlier this month)
“Ghetto Walk” – Robert Glasper featuring Bilal
“Dreams“ – Kenny Barron
Direct download: Podcast_542_-_Previewing_the_Newport_Jazz_Festival_with_Danny_Melnick.mp3
Category:podcasts -- posted at: 6:26pm EDT
Mon, 25 July 2016
It would be easy to dismiss The Hot Sardines as a nostalgia novelty act, coming across like Jazz Age Hipsters. But that would be a mistake. A BIG mistake.
Like other acts that have come to prominence in the past few years – think Lake Street Dive for example – they have incorporated older sounds and sensibilities into something very contemporary, and at times, downright exciting. Remember when Jazz WAS Pop music? They will help you recall, singing Cole Porter and Robert Palmer side by side.
Evan “Bibs” Palazzo and Elizabeth Bougerol lead the group, which has just released their latest CD, French Fries & Champagne, a truly fun romp through a variety of musical styles and sounds. From a straight ahead take on “Running Wild” (immortalized by Marilyn Monroe in Some Like it Hot) to a duet with Alan Cummings (Broadway’s Cabaret and TV’s The Good Wife), to a reimagining of Robert Palmer’s “Addicted to Love”, French Fries & Champagne never fails to bring a tap to your toes and a smile to your face.
Palazzo and Ms. Bougerol have strong support from band members Jason Prover (trumpet), Alex Raderman (drums), Nick Myers (saxophone and clarinet), and Mike Sailors (trombone and cornet), and a building reputation as a live act to watch. It’s no wonder they’ve gone from New York Clubs to the stage at the Newport Jazz Festival this coming weekend. More on the Festival later this week.
I spoke with Mr. Palazzo and Ms. Bougerol just as French Fries & Champagne was being released. Our conversational topics range from the new CD to the nature of song selection to how the band constructs (and deconstructs) its material. Song selections from the CD include “Running Wild”, “When I Get Low (I Get High”); and the Title Track.
Direct download: Podcast_541_-_A_Conversation_with_The_Hot_Sardines.mp3
Category:podcasts -- posted at: 7:36pm EDT
Mon, 4 July 2016
American Independence Day 2014. We celebrate with cookouts, fireworks and concerts, but often fail to recall the brave words that were written by our forefathers in Philadelphia in 1776:
When, in the course of human events, it becomes necessary for one people to dissolve the political bonds which have connected them with another, and to assume among the powers of the earth, the separate and equal station to which the laws of nature and of nature's God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.
We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable rights, that among these are life, liberty and the pursuit of happiness. That to secure these rights, governments are instituted among men, deriving their just powers from the consent of the governed. That whenever any form of government becomes destructive to these ends, it is the right of the people to alter or to abolish it, and to institute new government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their safety and happiness. Prudence, indeed, will dictate that governments long established should not be changed for light and transient causes; and accordingly all experience hath shown that mankind are more disposed to suffer, while evils are sufferable, than to right themselves by abolishing the forms to which they are accustomed. But when a long train of abuses and usurpations, pursuing invariably the same object evinces a design to reduce them under absolute despotism, it is their right, it is their duty, to throw off such government, and to provide new guards for their future security. --Such has been the patient sufferance of these colonies; and such is now the necessity which constrains them to alter their former systems of government. The history of the present King of Great Britain is a history of repeated injuries and usurpations, all having in direct object the establishment of an absolute tyranny over these states. To prove this, let facts be submitted to a candid world.
He has refused his assent to laws, the most wholesome and necessary for the public good.
He has forbidden his governors to pass laws of immediate and pressing importance, unless suspended in their operation till his assent should be obtained; and when so suspended, he has utterly neglected to attend to them.
He has refused to pass other laws for the accommodation of large districts of people, unless those people would relinquish the right of representation in the legislature, a right inestimable to them and formidable to tyrants only.
He has called together legislative bodies at places unusual, uncomfortable, and distant from the depository of their public records, for the sole purpose of fatiguing them into compliance with his measures.
He has dissolved representative houses repeatedly, for opposing with manly firmness his invasions on the rights of the people.
He has refused for a long time, after such dissolutions, to cause others to be elected; whereby the legislative powers, incapable of annihilation, have returned to the people at large for their exercise; the state remaining in the meantime exposed to all the dangers of invasion from without, and convulsions within.
He has endeavored to prevent the population of these states; for that purpose obstructing the laws for naturalization of foreigners; refusing to pass others to encourage their migration hither, and raising the conditions of new appropriations of lands.
He has obstructed the administration of justice, by refusing his assent to laws for establishing judiciary powers.
He has made judges dependent on his will alone, for the tenure of their offices, and the amount and payment of their salaries.
He has erected a multitude of new offices, and sent hither swarms of officers to harass our people, and eat out their substance.
He has kept among us, in times of peace, standing armies without the consent of our legislature.
He has affected to render the military independent of and superior to civil power.
He has combined with others to subject us to a jurisdiction foreign to our constitution, and unacknowledged by our laws; giving his assent to their acts of pretended legislation:
For quartering large bodies of armed troops among us:
For protecting them, by mock trial, from punishment for any murders which they should commit on the inhabitants of these states:
For cutting off our trade with all parts of the world:
For imposing taxes on us without our consent:
For depriving us in many cases, of the benefits of trial by jury:
For transporting us beyond seas to be tried for pretended offenses:
For abolishing the free system of English laws in a neighboring province, establishing therein an arbitrary government, and enlarging its boundaries so as to render it at once an example and fit instrument for introducing the same absolute rule in these colonies:
For taking away our charters, abolishing our most valuable laws, and altering fundamentally the forms of our governments:
For suspending our own legislatures, and declaring themselves invested with power to legislate for us in all cases whatsoever.
He has abdicated government here, by declaring us out of his protection and waging war against us.
He has plundered our seas, ravaged our coasts, burned our towns, and destroyed the lives of our people.
He is at this time transporting large armies of foreign mercenaries to complete the works of death, desolation and tyranny, already begun with circumstances of cruelty and perfidy scarcely paralleled in the most barbarous ages, and totally unworthy the head of a civilized nation.
He has constrained our fellow citizens taken captive on the high seas to bear arms against their country, to become the executioners of their friends and brethren, or to fall themselves by their hands.
He has excited domestic insurrections amongst us, and has endeavored to bring on the inhabitants of our frontiers, the merciless Indian savages, whose known rule of warfare, is undistinguished destruction of all ages, sexes and conditions.
In every stage of these oppressions we have petitioned for redress in the most humble terms: our repeated petitions have been answered only by repeated injury. A prince, whose character is thus marked by every act which may define a tyrant, is unfit to be the ruler of a free people.
Nor have we been wanting in attention to our British brethren. We have warned them from time to time of attempts by their legislature to extend an unwarrantable jurisdiction over us. We have reminded them of the circumstances of our emigration and settlement here. We have appealed to their native justice and magnanimity, and we have conjured them by the ties of our common kindred to disavow these usurpations, which, would inevitably interrupt our connections and correspondence. They too have been deaf to the voice of justice and of consanguinity. We must, therefore, acquiesce in the necessity, which denounces our separation, and hold them, as we hold the rest of mankind, enemies in war, in peace friends.
We, therefore, the representatives of the United States of America, in General Congress, assembled, appealing to the Supreme Judge of the world for the rectitude of our intentions, do, in the name, and by the authority of the good people of these colonies, solemnly publish and declare, that these united colonies are, and of right ought to be free and independent states; that they are absolved from all allegiance to the British Crown, and that all political connection between them and the state of Great Britain, is and ought to be totally dissolved; and that as free and independent states, they have full power to levy war, conclude peace, contract alliances, establish commerce, and to do all other acts and things which independent states may of right do. And for the support of this declaration, with a firm reliance on the protection of Divine Providence, we mutually pledge to each other our lives, our fortunes and our sacred honor.
The official Straight No Chaser song of Independence Day is Ray Charles version of "America the Beautiful". It seems strangely appropriate that we in the 21st century are able to listen to a recording made in the 20th century, featuring a blind African-American man singing a song with lyrics by a white woman (Katherine Lee Bates), with melody based on a 19th century hymn written by a white man (Samuel Ward). Enjoy!
Category:general -- posted at: 2:14pm EDT
Wed, 22 June 2016
The 39th Freihofer's Jazz Festival will kick off the summer festival season in style at the Saratoga Performing Arts Center this coming weekend. "The Hang" has something for everyone to enjoy, and this year is no exception.
Saturday June 25th brings something blue to the Main Stage with Eric Lindell and Shemekia Copeland, before bringing the new (Christian Scott aTunde Adjuah; Joey Alexander) and the old (Pieces of a Dream 40th anniversary tour and a Steps Ahead reunion). The ageless Chaka Khan was forced to cancel her appearance, but the always exciting Isley Brothers will bring their mix of R&B, Funk and Rock to end the evening.The Gazebo Stage will showcase some of today’s best jazz musicians, with sets from the criminally underrated Vincent Herring & the Kings of Swing (featuring Mike LeDonne, David Williams & Carl Allen); singer Karrin Allyson; and relative newcomers Jamison Ross and Elio Villafranca.
Sunday’s Main Stage offerings are full of treats for hardline jazz fans: Chick Corea’s award-winning Trilogy featuring Christian McBride & Brian Blade; Bria Skonberg Quintet; Pat Martino Organ Trio plus Horns; and singer Lizz Wright. Jon Cleary & The Absolute Monster Gentlemen will bring some New Orleans piano soul to Saratoga, and the man once called “the Greatest Living American Poet” by none other than Bob Dylan (supposedly) - Smokey Robinson - will end the festival in style.
I’m very high on the Sunday Gazebo lineup of up-and-coming stars – pianist Aaron Diehl; singer Alicia Olatuja; the Skonberg Quintet; and a performance of “LaFayette Suite” featuring Walter Smith III & Laurent Coq.
Impresario Danny Melnick and I talked about the festival bookings and what to look for over the weekend in Podcast 540. Musical selections include tunes from Pieces of a Dream ("Fo-Fi-Fo"), Vincent Herring ("Soul Leo"), Lizz Wright ("Coming Home") and Aaron Diehl ("Kat's Dance").
Direct download: Podcast_540_-_Previewing_the_Freihofers_Saratoga_Jazz_Festival_with_Danny_Melnick.wav
Category:podcast -- posted at: 2:00pm EDT